After spending the spring and summer working on mixed media florals that are 18 x24″ or 16×20″ I decided to do some larger canvases. They are of an abstract nature and require the viewer’s response and interpretation.
I guess it is heartening as a painter to know that some of my heroes, namely Kandinsky, sometimes miss their mark. I refer to the early work pictured on my August Kandinsky calendar. Whoa, buddy, what were you thinking? Of course, Picasso had a few ‘unsuccessful’ works which still bring in millions at auction!
Eve Hesse’s works were called brilliant, eccentric, and loony by critics. I was privileged to give a few presentations at conferences held in Canada and Ireland, hosted by the International Word and Image Society. I missed the deadline for the conference held in California, but I put together a proposal about the relationship of text…
It was my honor to win Best of Show at the annual juried exhibition of Monson Arts Council. This new work, as pictured, was inspired by Charles DeMuth’s “I See the Figure Five in Gold” which came from the poet, Wm Carlos Williams poem about a fire engine. My painting is “I see the Figure…
New acrylic work on canvas added today. Using tools instead of only brushes, I can scrape layers off and leave transparent passages that are juxtaposed against opaque shapes, then justified to create finished composition.
Moving from nature and tornadoes to Kandinsky’s passionate philosophy about art making is a relief, even though the drama is revealed in the artist’s non-objective paintings. In his essay, “Point and Line to Plane,” he says the point is akin to language and is a language signifier. The point as period, but further he says…
Through the years, I have read quotes that inspire me and give me added confidence to paint. Here is one by Mary Cassatt: “I live alone, and I love my work.” Let’s hear it for solitude!