It was my honor to win Best of Show at the annual juried exhibition of Monson Arts Council. This new work, as pictured, was inspired by Charles DeMuth’s “I See the Figure Five in Gold” which came from the poet, Wm Carlos Williams poem about a fire engine. My painting is “I see the Figure 5 on Edge.”
A group of us met in June and took in the feelings that the Victorian Mansion in Holyoke, MA provided. I felt the energy of the Skinner Family, silk merchants, still alive and well in the house. My painting, “The Ghost in the Music Room” hung in the gallery over the fireplace and I hope…
SR – Carole Guthrie – ABSTRACTS 2013 AWARD CERTIFICATE
As I sit regarding the blank white canvas, I am struck by the quote by Anne Tucker. Even though we (as professional artists) have made canvas after canvas, the blank canvas still ‘rquires courage.’ Once I asked my son why he wished to travel to exotic places, he said, “Mom, I’m just a blank…
Moving from nature and tornadoes to Kandinsky’s passionate philosophy about art making is a relief, even though the drama is revealed in the artist’s non-objective paintings. In his essay, “Point and Line to Plane,” he says the point is akin to language and is a language signifier. The point as period, but further he says…
He is our family historian, he moves around the world with ease, discovering family secrets, uncovering lost traces. “I found the ship’s manifest online,” he said. “Shows the date and time Grandma Benzli arrived from Europe, with her Uncle John and sister, Betty.” Seeing the document I felt I had touched history, a fantasy made…
What is more exciting. The action of painting a piece, or looking at it after it has been resolved into a finished work? I often wonder what artists think about this. I hope there will be some comments from artists in regard to this.